The pulsation, the beat if you will, of some of the early minimalists was one of the things that attracted me to their music. Riley and Reich did landmark works in a gradualist realm, but they also "rocked out" in their own way. Some composers got away from the pulse in years following, for better or lesser results, but I still find In C and Reich's instrumental/vocal pieces of his early-mid post-electronic period to be works I continue to turn to with pleasure. And they all pulsate like the Dickens.
The EP Stainless Staining (Cantaloupe) brings back the pulsation in ways that appeal to me. Lisa Moore is the pianist here, playing the music of Donnacha Dennehy. There are two pieces on the 24 minute disk. "RESERVOIR for Piano" forms a rather attractive postlude to the main event, which is the title track.
"Stainless Staining" uses a "soundtrack" of samples of low G# retuned to accentuate 100 overtones derived from that fundamental. The samples involve playing inside and outside the piano. The result is a pulsating mass of piano sound, atop which Lisa Moore plays her "live" part.
In the end it is 15 minutes of very rhythmic, patterned, richly overtoned music. Lisa Moore plays her role perfectly and the music buzzes and swings its way through your head with irresistible drive and elan.
It's a disk that will be finding its way onto my player many times in the future I am sure. In its own way it has a perfection. It is a kind of heaven! Would you require more than that?