So when a new name comes along for me, today it is André Riotte (1928-2011), I answer the call to ears with both resignation and with anticipation. Resignation because I cannot deal with all composers, anticipation because I hope the experience will be illuminating and worthwhile. We have today a disk of Riotte's solo piano compositions, Météorite et ses métamorphoses (Grand Piano 679), played well by Thérèse Malengreau.
The music consists of 33 short pieces that work together. They come out of his exploration of the techniques of Messiaen and Barraque and make use of an “all-interval series” which the liners define as "a series which conforms to the dual constraint of including once and once only both the twelve pitches of the chromatic scale and the eleven intervals between them."
Riotte gives us music on the very edges of tonality and, to our ears, beyond. The rhythmic structures are for the most part quite simple but the harmonic-melodic sequences are anything but. Metamorphoses for Riotte are like variations, except the reference to an original theme is not readily apparent to the listener.
Homophony, polyphony and apparently polyrhythmic sequences occur in varying combinations. The music is ear opening and will most certainly appeal to the high-modernist audiophile. They stretch your ears and give pleasure in the process.
Recommended for those who travel where none have gone before (that is, before last century)!