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Wednesday, May 24, 2017

Lei Liang, Luminous

Some high modernist chamber excellence can be had on Chinese-American composer Lei Liang's Luminous (New World 80784-2). Five compositions for varied instrumentation fill the program. The liner notes no doubt say it all definitively so that I probably come to this with less insight.

The string quartet "Vergo Quartet" (2013) is an example of what Liang is about. There are Mongolian aspects but they are so well integrated into the whole that you may not notice. Instead this is very lively music that manages to be both tonal and modernistically three-dimensional.

"Trans" (2013) for solo percussionist (Steven Schick) has a spacious, sprawling quality. A dramatic series of waxing and waning burst of notes contrasts with suspended cymbal rolls. A sprightly, more densely rhythmic kind of dance follows.

The solo piano work "The moon is following us" (2015) has a Cagean Eastern quality and goes him one further.

"Inkscape" (2014) for Third Coast Percussion and pianist Michael Lewenthal is spacious like "Trans" but ever more structurally profound.

Then finally we have bass wonder Mark Dresser team up with the chamber ensemble Palimpsest for a lengthy modern narrative on "Luminous" (2014). Mark is called upon to show the wide range of sounds a master like himself can produce. The chamber ensemble parallels his beautiful playing with excellent contrapuntal dialectics.

I feel I have not done justice to the rewarding complexities of Lei Liang's music. The album has many riches that careful listening will uncover. I recommend you listen!

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