tag:blogger.com,1999:blog-4649153160602115554.post2882985967897021695..comments2024-03-29T02:53:37.980-07:00Comments on Gapplegate Classical-Modern Music Review: Per Norgaard, Symphonies 4 & 5, Oslo Philharmonic Orchestra, John StorgardsGrego Applegate Edwardshttp://www.blogger.com/profile/06188040049179872295noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4649153160602115554.post-29142221861948376432016-09-17T08:32:56.744-07:002016-09-17T08:32:56.744-07:00A case could be made for that, yes. He certainly s...A case could be made for that, yes. He certainly speaks to me. Thanks for the comment!<br />All best,<br />GregoGrego Applegate Edwardshttps://www.blogger.com/profile/06188040049179872295noreply@blogger.comtag:blogger.com,1999:blog-4649153160602115554.post-86635206017064013242016-08-18T02:52:39.234-07:002016-08-18T02:52:39.234-07:00Is Nørgård the most important living symphonist, i...Is Nørgård the most important living symphonist, in Northern Europe at least? Sure, Aho has the advantage in terms of numbers (twice as many, and - presumably! - counting), but Nørgård brings to the form something that's very rare in these eclectic times - a singular, unmistakable style - and, in doing so, arguably takes it into territory where no other symphonist has ventured.Chris Lhttps://www.blogger.com/profile/00966794639194712056noreply@blogger.com