Gapplegate Classical-Modern Music Review

Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.

Friday, January 31, 2020

Michael G. Cunningham, Indiana Collectanea

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In the person of US composer Michael G. Cunningham (b. 1937) we have a very prolific voice for the Contemporary, a man with a long and dis...
Thursday, January 30, 2020

Alban Berg, Complete Songs, Borgioni, Lombardi, Milhofer, Kho, Kohler, Farinelli

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The art song in classical music qualifies as one of the more esoteric genres from the standpoint of the general music listening public. A ...
Wednesday, January 29, 2020

Uriel Tsachor, Brahms in Transcription

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Uriel Tsachor's recent piano solo album Brahms in Transcription (MSR Classics MS1721) gives us much to experience and contemplate. All...
Tuesday, January 28, 2020

Joshua Pierce, Bravura, Favorite Showpieces for Piano and Orchestra, Chopin, Ellington, Gershwin, Liszt, etc.

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Some albums end up pleasing by way of a number of factors one cannot always predict before listening. Pianist Joshua Pierce and the Slovak...

Pedro Faria Gomes, Chamber Works

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In the person of Portuguese composer Pedro Faria Gomes (b. 1979), at least as we hear on the engaging new collection Chamber Works (Naxos ...
Friday, January 24, 2020

Boris Tishchenko Complete Works for Harp, Ionello Marinutsa, International Parisian Symphony Orchestra, Mikhail Sugako

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Latter-day Russian Modernist composer Boris Tishchenko (1939-2010) shows us some definite traction on the recent  Complete Works for Harp ...
Thursday, January 23, 2020

Paul Moravec, Sanctuary Road, Oratorio Society of New York, Kent Tritle

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Paul Moravec (b 1957) chose wisely when he decided to pay homage to William Still for his heroic role as a "conductor" and obser...
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About Me

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Grego Applegate Edwards
Cape May, New Jersey, United States
I am a life-long writer, musician, composer and editor. I wrote for Cadence for many years, a periodical covering jazz and improv music. My combined Blogspot blogs (as listed in the links) now cover well over 3,000 recordings in review. It's been a labor of love. The music is chosen because I like it, for the most part, so you won't find a great deal of nastiness here. I have no affiliations and gain nothing from liking what I do, so that makes me somewhat impartial. I do happen to like a set of certain musics done well, so it's not everything released that gets coverage on these blogs. I went to music and higher education schools and got degrees. It changed my life and gave me the ability to think and write better. I've studied with master musicians, too. The benefits I gained from them are invaluable. I appreciate my readers. You are why I write these reviews. I hope the joy of music enriches your life like it does mine. Thank you. And thank you to all the artists that make it possible.
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