Wednesday, October 26, 2022

Robert Paterson, String Quartets 1-3, The Indianapolis Quartet

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  A number of years ago I came upon the music of Robert Paterson via a release or two, one on the old Musical Heritage Society label, good t...
Monday, October 24, 2022

Valentin Silvestrov, Maidan, Kyiv Chamber Choir, Mykola Hobdych, Contemporary Choral Music From the Ukraine

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  A few years ago I did not really know the Ukraine in itself as an identity, other than some old stamps from my grandfather's collectio...
Tuesday, October 18, 2022

Mahler, Symphonie Nr. 9, Simon Rattle, Symphonieorchester des Bayerischen Rundfunks

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  The recent and happy release of Simon Rattle's conduction-interpretation of a live and lively Mahler Symphonie Nr. 9  (BR Klassik 9002...
Tuesday, October 11, 2022

Alex Weiser, Hocket, Water Hollows Stone

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    In the realm of New Music EPs, a twenty- or thirty-minute romp into new territory is a good thing for explorers of the musical arts. You...
Tuesday, October 4, 2022

Leo Brouwer, Cuban Sketches for Piano, Mariel Mayz

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  Because of the nature of politics and history, where you are situated sometimes has something to do with when and how you come to know som...
Monday, October 3, 2022

Music From SEAMUS 31, New Electro-Acoustic Music 2022

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  The Society for Electro-Acoustic Music in the United States (SEAMUS) has done a great deal in the decades of its existence to forward the ...
Tuesday, September 27, 2022

John Wilson, Upon Further Reflection, Piano Works by Michael Tilson Thomas, George Gershwin-Earl Wild, Aaron Copland

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  Americana is a term applied to mostly North American composers, mostly in the 20th century, with music that has a pronounced vernacular ti...