Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
Monday, May 9, 2016
Network, Puts / Britten / Mahler / Bryant, The Ohio State University Wind Symphony, Russel C. Mikkelson
Four varied but somehow mutually reinforcing works flow smoothly on the program. The sequence is bookended by two cutting-edge 21st century works, in between which we get to hear some nicely done classics by no means common to wind band repertoire. One is a wind band arrangement of one of Mahler's Ruckert Songs, Um Mitternacht (At Midnight), with mezzo-soprano Katherine Rohrer nicely prevailing. Along with this we get a suite from Benjamin Britten's rather rare incidental music "The Sword in the Stone" (1939), which was performed as part of the BBC radio play dramatization of T. H. White's story broadcast on the "Children's Hour." It shows us the somewhat playful, beautifully descriptive side of the composer we get so nicely in Britten's opera scores as well.
The beginning of the program concentrates on the title work "Network," a dramatic opus by the Pulitzer Prize winning Keven Puts. It was composed in 1997 and revised in 2003. It is all based on a "frantic eight-voice canon," that in various full or partial forms repeats itself throughout the work. The addition of sharps and flats at various points becomes a way to vary the music in color and sound, and the composer uses these changes to let the music evolve and shift like clouds on a windy day. It is bracing music, played brilliantly.
Steven Bryant's ambitious "Concerto for Wind Ensemble" (2007-2010) concludes the program with an involved, 35 minute work with multiple shifting moods and modes. The composer's overall intention was to "depict virtuosity" and that he certainly does, with a myriad of heroically inspired passages in vivid orchestration, embodying both difficulty and transcendance.
So that's the story with this release. It comprises some brilliant performances of works beautiful to hear in the wind band context, music that holds its own with anything out there, covering a vast span of time from the late romantic to the post-modern, and doing so with a non-compromising accessibility that should appeal to music lovers of all stripes.
An impressive outing. Very recommended.
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