The concerto is a major feat, a beauty refashioned perhaps of the bedrock Modernist roots of Berg's concerto and perhaps at times of Ravel's "La Valse." There is a kind of thoughtful look backwards to early modern times musically and then a bold jump forward with stridencies, devilishly virtuoso violin emanations that Ms. Mutter is especially well prepared for, and the glowing sort of mysterious orchestration and a rhapsodic yet contemporary fullness as end points that go a long way to taking you ahead for a noteful and insightfully sonic spatial ride. All it needs is your ears to begin the journey.
The follow up to this fortuitous work and fruitful pairing are three workings of "Selected Film Themes" from Star Wars and other memorable soundtracks. They provide lovely carpets for more of Anne-Sophie Mutter and her most beautiful renderings. Both she and Williams are inseparable throughout, a collaboration that if you are like me invite you to abandon all resistance and surrender to the sheer magic of it all. Is this music meta-classic? Time will of course tell. Nice to hear certainly in any event. Bravo!