Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, May 27, 2011
On Cold Mountain: Songs on Poems of Gary Snyder, by Karen Clark and Galax Quartet
On Cold Mountain (Innova 795) features settings by four (modern, obviously) composers and each piece is highly evocative. In the hands of contralto Karen Clark and the Galax string quartet, listening is a moving experience. Karen Clark has a very beautiful vocal instrument that she harnesses without undue pathos to the mystically concrete world of Snyder. The Galax Quartet evokes just the right combination of Americana-meets-Cosmicana these pieces bring to our ears and hearts. The results are magical.
And so what of the compositions? Some composers may be unfamiliar to most listeners. The music speaks to us, however, with directness and beauty. Fred Frith (usually known as an improvisational guitarist) turns in a mysterious yet homespun-sounding "For Nothing." Roy Whelden's "Cold Mountain Songs" are haunting. "The Bubble of a Heart" by Robert Morris has a little gossamer and a little modern grit. "For All" finds W. A. Mathieu with a six-song suite that is both declamatory and dramatically diverse, in a reflective and sometimes indignant mood-mode.
The total effect is considerable, lyrical yet tied to earth, filled with exquisite beauty yet also with an over-riding search for meaning in the everyday details of experience. The composers reflect the poet; the performers reflect both. The meld between poet, composers and performers is as close to ideal as you are going to find today. I'd say it's a masterpiece, but people who read blogs might suspect I am overpraising, as bloggers sometimes do. I am not. It's a masterpiece of its kind.
Tuesday, May 24, 2011
The Percussion Music of Gui Sook Lee
Gui Sook Lee tends to write percussion music that pulsates in steady cadences, which allows the rhythmic-melodic potential of the instruments at hand to breathe with life and retain each individual timbre. The resultant music is sonorous, often rich in the woodiness of multiple marimbas, and more expressive than rigorously structured. The sound-color palette of Ms. Lee's arsenal tends to be bright and luminous.
The playing of all involved is excellent as is the sound staging.
Recommended for all who enjoy exploring the new sounds and rhythmic vitality of contemporary percussion music--and for anybody who would like some different music to enjoy and grow into aurally!
Posted by Grego Applegate Edwards at 5:06 AM No comments:
Labels: "the music of gui sook lee" classical-modern music review, classical modern music, contemporary percussion ensemble, gui sook lee, mccormick percussion group, south korean composers today
Wednesday, May 18, 2011
Grego's Gapplegate Music Review will be transforming in the near future. All modern classical and avant garde concert CD reviews will now be posted here. The Gapplegate Music Review will continue to cover jazz and improvisation. See you soon!
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