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Thursday, May 23, 2024

Johan Helmich Roman, Assaggi per Violino Solo, Fabio Bondi

 


If you are a Baroque fanatic you may know the name of Swedish composer Johan Helmich Roman (1694-1758), or perhaps you do not. He is new to me. The recent recording of his  Assaggi Per Violino Solo (Naive  V 8209) will doubtless show you a composer of real talent if you spend some time with it as I have.

Perhaps the first thing you'll notice is the beautiful performances of violinist Fabio Biondo throughout. He has a beautifully sparking sound and impeccable tone control. The seven groupings of works each gives us a bristling Baroque leaping forth of single-noted implied counterpoint furthered by double stops weaving in and out, somewhat in the manner of Bach and his Suites, yet lyrically more trimmed down-- though still lovely at every turn.

This is a real sleeper, a gem in the solo string realm both for composer and performer. Very recommended.

To stream the album, start with this link https://www.youtube.com/watch?v=xJyAL20HcEE and follow the single links for a wealth of movements.

Thursday, May 9, 2024

Denman Maroney Quintet, The Air Conditioned Nightmare

 

When Minimalist hypnotic circularity meets Free Jazz oriented geometric Pointillism we have something that makes sense and indeed when in the right hands such as here we have some sensational music. Pianist Denman Maroney has for some time been a thoughtful Free Jazz pianist. See my review of some of his Free Jazz music from my Gapplegate Music Review article of August 21, 2017  https://gapplegatemusicreview.blogspot.com/search?q=denman+maroney.

On this new album The Air Conditioned Nightmare (Neuma CD 204) we feel the open Jazz rootedness that over the years Maroney has so authentically embodied in his previous work. Here however Maroney introduces a deliberate Counterpoint of differentially varied rhythmic cycles between piano left hand and piano right hand (Maroney), that and vocals (Emilie Lesbros), that and tenor and Bb clarinet (Robin Fincker) that and bass (Scott Walker) and finally all that and drums (Samuel Silvant).

We get a deliberately composed set of differentials presumably laid out by Maroney and allowed to expand and contract as they play out, within at time Jazz Swing, Rock, and New Music performance feels. We get a great deal to explore and appreciate on the 18 works that comprise the two CD set, including a skewed Monkian Stuffy Turkey.

The complexity and organic heft of the skewed works offers us much to experience and appreciate. And in the end, we come away with a strong feeling of the newness of the music as well as its rootedness, with real musicianship by all concerned. It repeats in a roughly Minimalist way but stands out as a new way to lay out the cyclic material.

This one satisfies the discerning ear in musically substantial ways.

Go to BandCamp to listen to a free stream, and if you like order a downlo0ad or a CD copy. https://denmanfmaroney.bandcamp.com/album/the-air-conditioned-nightmare-2

Monday, April 15, 2024

Rodney Sharman, Rachel Kiyo Iwaasa, Known and Unknown, New Music for Solo Piano

 


Not everything can be grasped in a single setting as we all have learned over time. For New Music these days it has never been more true. It used to be at times that you more or less knew what you were getting by gazing at an album cover, the art, the label, the liners and giving it a single listen but that is rare today in some settings. So with the one for today, distinguished Canadian composer Rodney Sharman and pianist Rachel Kiyo Iwaasa bring to us a stunning series of works based imaginatively on opera transcriptions, 18 works under the rubric Known and Unknown (Redshift TK539 CD). This is music not obvious, with true originality and unexpected brilliance.

For me this one was a natural, the combination of vivid sound color, a modern yet a distinct melodic-harmonic foundation, ambient brilliance and a sort of eloquent expressionist pianism, a kind of moody, haunting thoughtfulness and a refreshing bit of text narrative and singing by the pianist in her enchanting performative role.

The eighteen short and longer works each hold their own in ultra-musical and inventive ways. That there is a Non-binary element in the thematics is the case thought for me it all works together as a poetic, lyrical whole so that I embrace  it all as ART, which for me is what especially matters in the end.

Though the transcriptions are based on well known operas the end product stands out again as more in its finality of brilliance than as source inspiration.

This is piano music that thrives in its wonderful pianism, both in composition and  performance. It stands out is a high point of the music I have heard thus far in the current year! Do not miss it.

Listen to a full stream on Bandcamp: https://redshiftmusicsociety.bandcamp.com/album/known-and-unknown-solo-piano-works-by-rodney-sharman

Wednesday, March 20, 2024

Vincent Larderet, Ravel, The Complete Works for Solo Piano, Vol. One

Maurice Ravel (1875-1937), as many readers will ,know. was one of the 20th centuries most original and poetic of composers for the piano. His was a voice of great color and poise. He gives the contemporary pianist a manifold challenge for realizing great expression and symphonic dimensions, along with a great intimacy of voice that broke new grounds continually. Pianist Vincent Larderet appears with the first of several volumes devoted to The Complete Works for Solo Piano  (Avie AV2623).

In this inaugural volume Larderet tackles five remarkably articulate and brilliant compositional sets, allowing the pianist to hold forth with novel and appealing interpretations that give us pause and move us along into Ravel's special aural world.

The set opens with Ravel's five movement Miroirs (1904-05) a breakthrough world of great sound color impressions and clangorous tonal brilliance. Larderet brings his own personally inventive aesthetics to each movement. 

The 1903-05 Sonatine forms another high water mark of pianistic dazzle with effective stretching of rubato singularity that stands out among classic renditions since the advent of the LP Ravel's ravishing Pavane pour une infante defunte (1899) chimes in as another outstanding reading, a hovering liquidity of great beauty one should not miss in this reading. The Jeux d'eau (1901) and the Valses noble et sentimentales (1911) are not in any way lagging and benefit from a thorough immersion in the periodicity of Ravel's and so bring forth a period charm here. Larderet shines thoughtfully regardless. which work on this set

Whether you are familiar with this music or are a newcomer you will doubtless benefit greatly by the pianist's genuine feeling for the music. Bravo. Catch a free stream of the music here: https://orcd.co/av2623

Monday, March 18, 2024

Plinio Fernandes, Bacheando, Works for Solo Classical Guitar

 

Brazilian born classical guitar virtuoso Plinio Fernandes returns with more sparkling fare for solo classical guitar, this time flourishing within the Bachian strain with works initially written for  lute by Bach, followed by Paulinho Noguera's Bachianinha Nos 1 and 3 plus other gems by Assaf, Villa Lobos and Mario Albanese on the album Bacheando (Decca Gold B0038-493-02). The eleven works here presented are substantial, the performances do not distract with a lot of rubato so much as they move nicely forward with a kind of infectiously rocking presence.

It all does not attempt to overwhelm so much as it gives you a compact brilliance that speaks to our contemporary sensibilities. It convinces by staying close to the original spirit of the music and in so doing Fernandes distinguishes himself as one of the very best today.

Listen to a stream at https://music.youtube.com/playlist?list=OLAK5uy_k-F-aqCp9tUppdMyMuAGUsiHYSLnDoqQc

Bravo, Plinio. A  fine effort.

Wednesday, March 13, 2024

George Crumb, Music For Amplified Piano, (1979-2012), Yoshiko Shimizu, Celestial Mechanics, Zeitgeist, Otherworldly Resonances

 

If you are like me you sometimes think of various lists of favorite artists and/or perhaps composers... like for example what about the more important and innovative High Modern composers for the piano, like Ives, OK, then perhaps Cage, Messaien, Stockhausen, and George Crumb? I suspect many aficionados would include Crumb, surely. His open, sometimes sparse, spooky style with sustains and various inside the piano trademarks, such as pluck, strum, slide, sustained echoes, then centering folk-like motives or High Modern tattoos on the piano keys, etc. have justly gained a lot of attention and appreciation over the years.

With Crumb it all started with various early works featuring piano voice and other instruments, leading to the various volumes of his celebrated Mikrokosmos. It all culminates in his last works, which happily are well represented in this new volume of Music for Amplified Piano (Kairos 0022012KAI) as beautifully realized by Yoshiko Shimizu.

So to begin we get Makrokosmos IV, or in other words Celestial Mechanics (1979/2021), the Cosmic Dances for Amplified Piano, Four and Six hands, then Zeitgeist (1988), and finally Otherworldly Resonances (2005), the final two for Two Amplified Pianos. 

Yoshiko Shimizu heroically creates the immersive piano worlds for each piece with dramatic distinction and convincing thrust. It is an ideal hearing of these wonderful end works that fully deserve our repeated attention. Bravo. Highly recommended.

Monday, January 8, 2024

Alice Ping Ye Ho, Blaze, Christina Petrowska Quilico, Contemporary Works for Piano

 

The state-of-the-art when it comes to Modern virtuoso music for the piano today can be had nicely in the recent album of piano works by Canadian-Chinese composer Alice Ping Yee Ho as played with insightful concentration by the formidable Christina Petrowska Quilico. This on Blaze (Centrediscs CMCCD 31323).

In all some eight compositions flow with dramatic High Modern intensity in the course of the program. It is a nice example of High Modernism today and how the more advanced sorts of musical contours thrive in dedicated hands. 

"Erupting Skies" (2022) is doubtless the most sonically spectacular of the eight works, with bracingly elaborated interplay between the piano part and equally so the full bore counterpart of the electroacoustic construction, all pinned down by the central narrative of natural danger and eventual triumph.

Thanks to Ms, Quilico's finely granular, precision and poetic readings, all of these pieces come alive in the most enthralling ways as sprawling and highly absorbing masterworks that sacrifice nothing to easy listening sorts but instead carve each a twistingly elaborate excitement. Kudos to all concerned. This is a monumental breakthrough that all New Music aficionados should doubtless find as interesting as I have.

Hear samples and some insightful thoughts on the album https://www.youtube.com/watch?v=z4TamhwA4UM