Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, March 20, 2012
Andrea Centazzo, The Heart of Wax
Andrea Centazzo the composer continues to unfold before my ears as I listen to his minimalist opus The Heart of Wax (Ictus 301), a 12-part dance suite for a large chamber ensemble, string quartet and soloists.
This is an infectiously rhythmic and melodically memorable set of contrapuntal movements, inflected at times by rock, jazz and world elements, following out of similar mallet-wind-string ensemble works by Reich, yet bearing palpably the recognizable imprint of Andrea Centazzo's own originality.
For minimalism to work, there must be inventive scoring. Nothing can be more dreary to my mind than a minimalism of uninspired and uninteresting motifs and/or one-dimensional instrumentation. Thankfully that is not the case with Centazzo's work in the style in general and in Heart of Wax especially.
There is much to occupy the actively listening ear on this one. It's a refreshing hybrid that operates on a high plane throughout. Give it a listen.
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