Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, January 17, 2020
Nino Rota, Complete Solo Piano Works I, Eleanor Hodgkinson
Beyond that vast output we have Nino Rota the composer of Modern concert music. All the elements that made him so effective in soundtrack writing also factor into his non-soundtrack creations. Again the quantity is substantial, with ten operas, music for theater and a full spectrum of orchestral and chamber works.
All this is clear when listening to Rota's inaugural volume of Complete Solo Piano Works 1 (Grand Piano GP827). On it we have pianist Eleanor Hodgkinson effectively holding forth with a good deal of charm for a series of three works--"15 Preludes" (1964), "Fantasia in G" (1944-45), and his "7 Difficult Pieces for Children" (1971).
The music stands out for its masterful workmanship, its creatively playful, cosmopolitan demeanor, its inventive melodic-harmonic stance. Carl Alexander Vincent in the liners for this album rightly underscores the influence of his teachers Pizzetti and Casella in developing Rota's sophisticated experiential approach. Indeed there is a genetic affinity to be heard though Rota comes through in the end as his own voice.
The "Fantasia" has Neo-Romantic elements surely. They are effectively bookended by the Neo-Classicism in the post-Prokofiev "Preludes" and the disarmingly direct "Children's Pieces."
The music grows on one the more one listens so that at the end a cogently satisfying feeling is to be had after assimilating the music with repeated hearings. Part of that has to do with Hodgkinson's no-nonsense grasp of the musical essence of these pieces. Then of course she provides for us direct access to the substantial merit of the music.
Strongly recommended for all who seek to assimilate fully the Modern Italian legacy. I look forward to future volumes!
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