Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, June 24, 2020
Morton Feldman, Coptic Light, String Quartet and Orchestra, Arditti Quartet, ORF Vienna Radio Symphony Orchestra, Michael Boder, Emilio Pomarico
The two compositions contrast well and set each other off. "String Quartet and Orchestra" is introspective and exploratory. "Coptic Light" is like a sounded dream, with repeating motifs that have an expanded harmonic horizon and are not about the repetition so much as they encapsulate a horizontal movement through a gorgeously mysterious dreamscape that stands so far ahead of what some others might have been doing in 1986 that it virtually stands alone.
The liners suggest that there was a turning point at the close of WWII and the question posed then was whether to choose between Stravinsky or Schoenberg. The US Avant School centered around John Cage--including Feldman, Christian Wolff, and Earl Brown--significantly followed neither as the liners insightfully point out, instead carving their own path, the implications of which we are still uncovering and exploring. As much as each of these composers still seems vital to our current world, Morton Feldman nevertheless stands somewhat alone as an original within the original stance, an unmistakable voice and personality within the school.
Both works are scored for a very full orchestra and Feldman's vivid sound color orchestrations take full advantage to create some extraordinary sonic landscapes. In regard to this Feldman significantly cited Sibelius's contention that unlike the piano, the orchestra "has no pedal." Feldman went on to assert that Coptic Light creates that pedal. It does. As his last finished work it has a stunningly climactic quality in relation to the oeuvre as a whole, yet the String Quartet and Orchestra work included here makes its own case for music of an unforgettable sort, so that the two in tandem are especially rewarding.
This is some of the most beautiful "Modern" music there is out there. Do not hesitate to get this one if you want to know what that sounds like. Wonderful!
Posted by Grego Applegate Edwards at 8:28 AM
Labels: american avant classics for orchestra, great late feldman, morton feldman coptic light string quartet and orchestra arditti quartet orf vienna radio symphony orchestra gapplegate classical-modern review
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