Later Harbison retains the high inventive and orchestrational acuteness of his earlier, more High Modernist work but then adds a somewhat Neo-Classical tang to it all. Through the entirety of this program he retains his own original voice, quite happily. This is as true of the overall body of work in the pas decades as it is of these works. The concerted dynamics of these present works however set them apart in their dialogic repartee, as one might expect.
I am appreciating all three here for their idiomatic string expression but the Bass Viol Concerto stands out for me as especially memorable. Edwin Barker does a fine job as the bass soloist. The sonority is enhanced by a tuning in fifths instead of fourths. The same performance excellence also applies throughout the program to Marcus Thompson on viola, Emily Bruskin on violin and Julia Bruskin on cello.
In the end we experience three centerpiece expressi0ons of Late Modernity played with care and proper artistry. It is another BMOP winner and a major addition to the Harbison discography. Grab this by all means if you are so inclined.