It can easily be argued that Thomas Ades is at the very top of the English crop of Modernist composers active today. The recent Marchentanze (Ondine ODE 1411-2), a set of four World Premiere recordings that have representative as well as an abstract aspect that indicates how strong and central a voice Ades is in our time. The Finnish Radio Symphony Orchestra under Nicholas Collon with soloists Pekka Kuusisto on violin and Tomas Nunez, cello, all give us the exciting readings these works deserve and as such constitute a must-hear and no doubt must-have offering.
It touches upon four musical opus markers, the 2018 :Hotel Suite from the opera "Powder Her Face," the 2016 Lieux retrouves, the 2021 Marchentanze and the 2020 Dawn. The frisson between abstraction and musical reference puts this music in a special Adesian universe we gradually come to know and love in successive listens, not the least being the gorgeous finale of Dawn to set us on our way to some other day-night labors and pleasures.
I would not hesitate with this one. Get a taste of what you will hear on the trailer video https://www.youtube.com/watch?v=jfx1v1WMhB0&t=149s
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