Of course whenever listening through an entire cycle like this, it may gradually dawn on you like for me just how significant this slice of pianism was for then and so too for now. It is a vast treasure that may at first seem a fairly simple matter. But no, as you listen the simplicity semblance of a first blush grows deeper and you hear the depth in the rugged energy and articulate brilliance of the whole. And as you live with the chronology you begin to sense how early on Mozart's initial and life-long devotion to the piano keyboard allows him from the beginning to explore the wide band of possibilities inherent in the whole, how his inventive genius systematically develops the first real piano sound, of a consistently sympathetic reading of what the piano can do in Mozart's head and of course what he actually does at every step. This was music he thought people might like and he of course was so right!
And it is our reaction in part of course thanks very much to pianist Yeol Eum Son that we hear it all the way we do. She is ever a bundle of bright energy, of a subtle range of touch that brings all of it to life with poetic and eminently musical sureness that gives it all wonderous results, happily. She is in no hurry to impress but instead wisely lets the music unfold the way the composer intended, gradually maturing and becoming ever more brilliant. It is the music on a plane it deserves and demands to be on. Ms. Yeol Eum Son triumphs and we are all the better for it I think. Check this one out, do.
Listen to a stream if it. Please paste link in browser window: https://music.youtube.com/playlist?list=OLAK5uy_nIkSkWpO08_eS6Kr9u3-N_fui45zcKdFc