Donald Nally, the choral ensemble the Crossing and the International Contemporary Ensemble (ICE) present seven contemporary modern works responding to Buxtehude's seven cantatas from the oratorio Membra Jesu nostri patientis santissima. Seven Responses (Innova 912 2-CDs) is the result. It comprises a collection of seven beautifully wrought works that combine the-old-and-the-new, the impressions of the baroque labyrinth of Buxtehudian polyphony combined with an adventurist new music world.
The composers are Caroline Shaw, Hans Thomalla, Pelle Gudmundsen-Holmgreen, Anna Thorvaldsdottir, David T. Little, Santa Ratniece and Lewis Spratlan. Each expolores a sonic universe that combines the vocal nuances of the Crossing and the instrumental evocations of ICE in fascinating ways.
There is no question as you listen as to where the stylistic contemporaneousness resides: it is decidedly not a serialist or atonal realm of the last century, though there are at times bold modernisms to be heard. It is a tonal, sound-color oriented development that embraces the ancient and the modern in a newfound synthesis that appeals while it dishes out a wealth of musical nutrients.
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Showing posts with label modern contemporary choral. Show all posts
Showing posts with label modern contemporary choral. Show all posts
Tuesday, April 25, 2017
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