Today's recording serves to remind us once again that the annals of baroque and classical composers are filled with now unfamiliar names that history has partially erased from our collective memories, yet who may prove substantially worthwhile when we hear one or more of their works. Take today's example, that of Egidio Romualdo Duni (1708-1775). Les Deux Chasseurs et la Laitiere (Brilliant 95422) is something very attractive, a one-act comedy from 1763 that managed to garner a lasting and enthusiastic audience response in the opera world at the time, but now is almost completely unknown.
The late baroque, nearly classical jauntiness of the work lives again thanks to the very game performances here by some distinguished soloists and the Accademia dell'Arcadia under Roberto Balconi.
The arias are bright and hard-lined in their immediacy. The orchestral interludes sparkle happily.
I am beguiled by the music and performances. Duni knows exactly what he is going here, and he is near-perfect in his execution. By definition, this is lighter than air. That makes for a delightful diversion. You understand how audiences found this music enchanting. With a little effort we can recapture that experience here in 2017, just by listening. There is a ravishing airiness that is as likable as a meringue made well. And no possibility of emotional indigestion!
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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