Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, March 23, 2018
Ligeti, Complete Etudes, Kei Takumi
The Etudes consist of three groupings: A Premier livre (1984-85), a Deuxieme livre (1988-94) and a Troisieme livre (1995-2001). Together they function as a wide interconnected expanse, densely racing ahead, then thoughtfully pausing, then bursting forward again, creating a matrix of dynamic excitement one simply has to experience because words cannot supplant or ever quite approximate how it feels to hear the music. It is a kind of Promethean struggle of solitary human with an otherwise inert mass of wood, metal, ivory and whatever else, the piano being something of vast potential that Ligeti provides a key to, the mastery of which is formidable and not for the untalented and technically unprepared. This is music that will not be sight read with any hope of the revelatory. It is music to sink into over a long period of time. That is as true for the performer as it is to the listener. You do not just throw this music on and go about your business. That surely won't do.
Instead, pay attention. Let the sounds wash over you and after a few listens you will know that you are in the presence of something profound. I recommend you do that.
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