A fully extended vibrancy of articulation and full-throated clarinet technique nicely play off against the furthering and effectively nuanced electronics Maestro Charles employs. Digital delay and layering, timbral extensions of harmonics, sound colors, etc are made full use of--quite happily. At times the clarinet becomes an orchestra of its own and at no time does the interface of acoustics and electronics seem in the least bit gratuitous or mechanical-perfunctory. True woodwind facility conjoins with a very lively musical imagination for a program that fascinates and makes for a most absorbing listen throughout.
This album may at first blush seem unassuming. But after a few listens it increasingly stands out as an excellent example of its kind. Very heartily recommended!
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