Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, April 7, 2020
Bloch, Muczynski, Reger, 20th Century Music for Cello. Benjamin Whitcomb
It consists of the "Gallery--Cello Suite" (1966) by Robert Muczynski (1929-2010), the "Cello Suite No. 2" (1915) by Max Reger (1873-1916) and lastly another "Cello Suite No. 2" (1957), this one by Ernest Bloch (1880-1959). You may not know some or perhaps even any of these works. Yet in this Whitcomb recital they stand out as things that supplement how you look at the unaccompanied cello possibilities, all owing something indirectly from Bach and also the 20th Century and its expanded sense of melodic-harmonic development. The works are post-Romantic without being avant exactly. They all share with Bach's unaccompanied cello works the Suite format--a grouping of interrelated brevities that manage to cohere as one gesture.
Whitcomb gives us a reading of these works which are marked for their rather unassuming straightforward approach. They are neither heart-on-the-sleeve molto-expressivo nor are they spun out with some carpet-making regularity. That is to say that they are attentive to the widest arcs of the musical syntax as well as the fine-meshed details. Whitcomb does not turn these into extroverted virtuoso vehicles so much as he produces a well balanced set of readings that allow the listener to gauge the works properly, assuming an unfamiliarity and/or an appetite for the compositional wholes--as wholes.
For me the Muczynski is the happy surprise, in that I did not know the work. Nonetheless all three pieces get a bold no-nonsense definition here. They are good to hear--probably regardless of the specifics of your general orientation to the contemporary. So take a listen if you will.
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