Never fear! I am here to make sense out of it, some of it. And happily because I listen to everything people send and choose the best of it I can help with names and albums you might never know about otherwise, along of course with a few you might already know something about, perhaps even a great deal.
And so here is a Canadian composer, important because important and important because Canadian and we must pay attention to such things, to the music of a country that puts no small effort into cultivating such things. I speak today of one such Canadian, of Omar Daniel and the new album Land's End Ensemble plays the Chamber Music of Omar Daniel (Centrediscs CMCCD 28120).
So who is Omar Daniel? He is alive. He is around 60. He used to be enfant terrible of Canadian New Music? So the liners say anyway. I have no reason to doubt it.
The present disk showcases some four chamber works written between 1996 and 2018. They are mostly small ensemble works, filled with animation and a kind of flourish sometimes, some stridency certainly but harnessed to the outward expansion of gestures into the listener's space.
The "Duo for Violoncello and Piano" (2018) and the two Piano Trios (1999, 2015) all have a sort of rough hewn projection outwards that stands out as very Daniel-original and un-stinting. Each gives us a dramatic and well thought-out piece that sounds increasingly more cogent the more one listens.
The two song cycle "Zwei Lieder Nach Rilke" (1996) is self-explanatory and not the least bit lesser an offering,. It stands out but with soprano bringing forward another sound and mood, as accompanied by a larger group of alto flute, English horn, bass clarinet, two percussion, piano, violin, viola and cello. The instrumental ensemble sets the mood and the soprano expresses it directly. It is notably the premiere recording of the cycle as well. Bravo!
All this fittingly and nicely celebrates Daniel's 60th birthday. Canada is all the better for him, surely, as are we all. The Land's End Ensemble with conductor Karl Hirzer does full justice to the music and the music in turn brings along to us in repeated hearings a joy of recognition. It is very Modern and very timely to experience if you currently exist in some pandemic isolation in search of revivifying sounds. But that will no doubt not make the music any less desirable after our health crisis has gone. I gladly recommend this one!