The opening salvo rivets the listening self in a dynamic, rhythmically complex dynamo of prepared piano amplified with contact mikes that also trigger percussion instruments. All is nicely performed by Amit Dolberg, who deftly handles the complex multiple layers of gestural expressions.
From there we go on to four more chamber works, each a special sound world unto itself.
So we experience the expressively hushed "Chinese Whispers" for flute, clarinet, violin, cello, prepared piano and amplification. It plays further upon the sorts of atmospherics Feldman and Crumb did so well. Pelz finds his own way into the sound labyrinth possibilities. The remaining four works continue in the color-atmospheric zone each in their own way, with impressive eloquence, with convincing sound personality and sensitive performances that do the music full justice.
So we come to appreciate "Convergence" for alto flute and electronics, "marchons, marchons" for flute, clarinet, violin, cello and prepared piano, and finally the two movements of "Blanc sur Blanc" for flute, clarinet, prepared piano and amplified string quartet.
It is just what you need for some refreshing poetic forays into timbral brilliance. Bravo.
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