The four works represented here are above all beautiful and lyrical, melodically and harmonically. They afford the solo violinist a maximum of expressive opportunities and interpretive openness that Ms. Batiashvili fulfills with real brilliance and panache. It is all told a series of works of true singing, classic late Romantic and early expressive Modernism. And so we go from French and Polish pioneering flights through Romanticism and its depiction of signified feelings to another shore and the future in so-called Impressionism and a new emphasis on expression, on the musical signifier. And funny perhaps but musical Impressionism is less like the painting of "nature" and more like further 20th Century developments in art and music. Literally it is not lily pads in various forms of repose because it is not literal like that, as music there is of necessity and in its own right too a heightened level of abstraction.
The Franck "Sonata for Violin and Piano in A Major" in this performance is extraordinarily beautiful and lyrical, yet complex. Szymanowski's "Concerto for Violin and Orchestra No. 1" is very expressive in a sort of variegated, airy mysterioso. The Chausson "Poem" has a little less of the orchestrally mystical, shows a little more impassioned a tone but no less poetic for all that. The closing Debussy "Beau soir" comes across as brief, yet sweet.
In the end this has great charm and elan. I do not hesitate to recommend it highly.