Composer Corun Aharonian (1940-2017) was of Armenian descent and lived and worked in Urugway to create a music born of a political dimension--his life was dedicated in resistance to fascist dictatorship. The result is a music more mestizo-conjoined than single-stranded identity-wise, a ritual unfolding of blocks of sometimes austere motifs that ritually repeat without conjuring danceful sequences. We hear a cross section of some nine of his works on Una Carta (Wergo 7374-2).
The first eight are chamber works performed by Ensemble Adventure; the final work "Mestizo" is for orchestra and features SWF-Sinfonieorchester Baden-Baden. Zoltan Pesko conducts. Each work assembles a universe of sounds that play themselves out in High Modernist cragginess yet often too includes one or more memorable melodic motives, at times in a vernacular of his life-locale, only abstracted, that contrasts with one or more different utterances of sound in dynamic interaction. The effect is original, modular, sculpturesque.
The orchestral "Mestizo" forms the climax of the program--both extraordinarily economic in the playing out of means of expression yet contentful in its linearity. It sums up what the first eight are about with a more spectacular palette of sound colors.
Repeated hearings reconstruct the sounds into striking semblances, as an unusual spoken phrase might gain meaning through rehearing.
Performances and sound are first-rate. Definitely recommended as another way to make New Music, an original, generally unheralded voice.
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Showing posts with label coriun aharonian una carta ensemble adventure swf-sinfonieorchester baden-baden zoltan pesko classical modern-review. Show all posts
Showing posts with label coriun aharonian una carta ensemble adventure swf-sinfonieorchester baden-baden zoltan pesko classical modern-review. Show all posts
Monday, November 25, 2019
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