New Music continues to flourish. Today, a new volume of an anthology of up-to-the-minute Modern orchestra music entitled Dimensions, Works for Orchestra, Vol. 2 (Navona 6251). The music all has some definite excitement rhythmically and a kind of rootedness in one way or another that gives us Modernity but also a kind of music of place, a locality if you will.
The performances are very good and recording quality fine. So we can hear and appreciate some interesting music that excites by an anything-goes eclecticism as much as originality combined with stylistic largesse, all in a memorably tonal realm.
So we hear the fine drumming inherent in Eric Stem's "Portland," the almost Indonesian stepped meters and layering of Whitley's "Bonzai Down," a sort of pastoral Barber Knoxvilleness set against martial rhythms of Field's Whitman lyric-ed "A Letter from Camp," the rich lyricism and polyrhythmic aspects of Francis' "Concerto #2 for Guitar and Orchestra 'In Somnis Veritas'" and a Latin rhythmic cha-cha feel with Jarvlepp's "Street Music."
It is music that stays with you, that impresses with its together quality and melodic-orchestrational-rhythmic heft. Strongly recommended for all modernists.looking for rhythmic spice.
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Showing posts with label dimensions works for orchestra vol 2 classical modern music. Show all posts
Showing posts with label dimensions works for orchestra vol 2 classical modern music. Show all posts
Tuesday, October 1, 2019
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