Argentinian composer Alberto Ginastera was born 100 years ago this year. We mark the occasion with Ginastera One Hundred (Oberlin Music 16-04), a celebration of the Master and his music.
The Oberlin Orchestra under Raphael Jimenez joins Yolanda Kondonassis for a sterling performance of Ginastera's "Harp Concerto, Op. 25" (1956, revised 1968), one of his most memorable works. Ms. Kondonassis is an excellent exponent of the concerto and the orchestra is inspired to give us a fabulous performance while Yolanda soars.
Gil Shaham and Orli Shaham (on violin and piano) are next up in a beautiful rendition of "Pampeana No. 1, Op. 16" (1947) combining inimitably Argentinian traditional elements and Ginastera's special modernist touch.
Jason Vieaux follows with a fine reading of the "Sonata for Guitar, Op. 47" (1976) which has a pronounced 20th century complexity with a channeling of the idiomatic spectrum of Spanish and Argentinian classical roots.
Finally there is the vibrant "Danzas Argentinas, Op. 2" (1937) which features Orli Shaham in a perfectly turbulent and vivid interpretation of another Ginastera masterwork.
The album is virtually a perfect way to remember the composer and mark his would-be 100th birthday. Every work is a gem and each performance is near-definitive. Ginastera's original way with traditional and modern elements carries the day with a program of essential works. Do not hesitate on this one. It is seminal!
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Showing posts with label ginastera one hundred oberlin gapplegate classical-modern review. Show all posts
Showing posts with label ginastera one hundred oberlin gapplegate classical-modern review. Show all posts
Wednesday, September 28, 2016
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