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Showing posts with label modern american chamber classical music. Show all posts
Showing posts with label modern american chamber classical music. Show all posts

Tuesday, October 9, 2012

Yvonne Troxler, Brouhaha

If you want your music performed regularly and with care, it's never a bad idea to form your own ensemble. That's what Yvonne Troxler did in 2000. Glass Farm, as named, is still going strong and both the ensemble and her work are well represented on their second Innova disk Brouhaha (Innova 835).

The CD gathers together five of her recent chamber compositions: "Penn 1," "Shergotty," "Brouhaha," "Susurrus," "Kaleidoskop." All occupy modern territory with their own integrity. Most importantly, Ms. Troxler has traveled along her own path and found her own voice, in music that doesn't lack passion but seeks to explore sound and note parameters with originality. Classical high modernity lurks in the background as the trunk from which she branches, and the growth is strong and healthy, so to speak (pardon the mixing of metaphors). I especially like the agitated excitement of "Kaleidoskop" and its well thought-out interplay between voices.

Troxler shows eloquence, memorability and inspired craftsmanship in this round of chamber works. Glass Farm is a superior performance vehicle that excels in realizing the music. That's a terrific combination and this album brings lots of pleasure!

Friday, February 17, 2012

William Vollinger, Raspberry Man

Schoenberg's "Pierrot Lunaire" brought the art of sprechstimme into the vocabulary of new music. Speech-song stays with us in various ways. One highly idiomatic and funny way is with William Vollinger's Raspberry Man (Navona 5857), a short ten minute, two work single CD.

The title work is a chamber piece for small group and singer-recitator. The composer does the vocal part; the Juventas Ensemble takes on the instrumental parts. "Raspberry Man" is a wryly funny sung-spoken story that skillfully combines modern chamber music compositional style with an amusing story about a fellow who stood outside Jack Dempsey's Restaurant in Manhattan and gave passers-by the raspberrys.

The second short piece, "Emmanuel Changed" has a similar trajectory.

It's interesting, funny, well performed and well written music with a definite twist.