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Showing posts with label new music from portugal. Show all posts
Showing posts with label new music from portugal. Show all posts

Tuesday, March 25, 2014

Joana Sá, Elogio da Desordem (In Praise of Disorder)

This columnist has had the pleasure of covering the music of Joana Sá before. Today, another: Elogio da Desordem (In Praise of Disorder) (Shhpuma 006). It is subtitled "Interior monologue for semi-prepared piano, bells, sirens, voices and...". And that it is. Ms. Sá is a growingly important presence on the Portuguese avant landscape. She makes music that has the momentum and spontaneity of improvised new music, yet there is a composed structural element that continually frames the music and evokes interrelated sound worlds that work together to inscribe a particular poetic state onto the moment.

It is especially true of the suite of movements contained in the present recording. Through use of a piano whose strings have been prepared with various objects within a particular range of notes, through the use of sirens and bells that punctuate the affect of certain passages with the sound of a symbolic sort of alarum, through various amplified noises ("noise boxes") (which come off as electronics, as that they are), through bowing and other unusual ways of sounding the piano and the appearance of a toy piano and a harmonium at times, through periodic recitation (by Rosinda Costa) of texts by Goncalo M. Tavares, a set of special moods are created, filled with vivid sound color and pianistic avant-virtuosity.

Joana's music has a flow to it that after hearing a few times seems unique but somehow appropriate. The music has a natural quality that is ultra-modernistic nonetheless. What strikes me in her music, especially here, is the mastery of avant techniques harnessed to a sureness of purpose that brings together aspects of the classical avant and the free-improvisatory schools. All clearly and movingly holds together as compositional.

I am especially impressed with how this music after several hearings continually stimulates the hearer's imagination with a master sound-painter's expert touch and larger vision. Nothing sounds random and yet there is continuous sound-invention without much at all in the way of repetition.

In Praise of Disorder has a monumental elocutionary eloquence to it that puts it on rarified turf. Anyone with an interest in the avant garde today should listen closely.

Tuesday, September 27, 2011

Joana Sa's Striking New Music from Portugal: "Through This Looking Glass" CD/DVD


Before I received the CD/DVD Through This Looking Glass (blinker, Marke fur Rezentes) I did not know of the music of Joana Sa. Now that I have listened repeatedly and watched the accompanying DVD, I feel that I surely do. She hails from Portugal, performs the entire piece live for this production, and leaves no small impression. The piece was conceived and written for prepared piano, toy piano, electronics (mostly live), props (mechanical toys for the most part) and a mobile.

The tripartite influences of John Cage, Karlheinz Stockhausen and George Crumb make themselves felt as precursors throughout. You have ambiance, sound-painting and an exotic component in the work as a whole that all the above have something to do with, though she remains totally herself to my mind.

The release includes a CD version of the audio and a DVD film (directed by Daniel Neves) of Ms. Sa's performance. This is late high modernism at its best. The film heightens the performative aspects of the piece with a black and white clarity that gives you insight into the work and Ms. Sa's refreshingly poetic approach. You watch as she manipulates the piano with dexterity and confidence. There are the prepared piano passages, the playing inside the piano with bow hair, mallets, sticks, hands, inserted objects. There is Joana sounding the grand piano from underneath. There are the mechanical toys, the mobile. There is the sheer viceral aspect of performance.

It is a work of great charm. It is sound poetry. It is one of the most successful and attractive high modern keyboard works that I've heard in years. Joana Sa must be appreciated if you want to know where modernism has gone. It's here. Find out more by clicking on the Joanna Sa link on the right. Click on the Trem Azul link on that site to order a copy. Highly recommended.