Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, September 28, 2011
Monteverdi's Vespro Della Beata Vergine, 1610, in a Bright New Recording
The work itself is a beautiful example of Monteverdi's writing for massed choir and small chamber ensemble. Choral counterpoint and homophony join with expressive solo vocals and instrumental interludes. Listening today one is struck by the asymmetrical phrasing that corresponds to the choral text, and the richly varied setting.
The Choir of New College Oxford distinguishes the recording by utilizing a boy's choir for the upper vocal lines, which gives the sound a special resonance.
It is a masterful performance, one of the very best. If you have no Monteverdi in your collection or, like me, you have a good deal, no matter. This one is a great addition to your library either way.
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