Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, July 31, 2019
Leslie Tung, Theme and Variations, Mozart, Beethoven, Haydn
The Mozart Variations on "Unser Dummer Pobel Meint" in G Major, K. 455 and the Haydn Andante with Variations in F minor, Hob.XVII:B show us in every way the inventive brilliance of these Classical Era masters. The concluding Beethoven "Eroica" Variations and Fugue in E-Flat Major, Op. 35 goes them one step further with one of Beethoven's most well loved themes and then gives us inventions characteristically model building the way Beethoven can be nearly extra-terrestrial.
The theme and variations of course historically was as much or even more a live and spontaneous showcase for the inventive brilliance of a living composer-instrumentalist. Bach was famous for his. But then so were the composers represented here, supreme masters all. An on-the-spot set of T & V's were unexpected, surprising and as in-the-moment as a Jazz master improviser can be today. The written out versions we hear are the next best thing and we are lucky to have them and hear them still.
Tung plays reflectively, like he was made for the music, which clearly he is. The approach centers around density, velocity, variety and of course contrast. It is actually fun to listen to this music, as it should be.
Leslie Tung gives us the period-dynamo sound we need for these. Beautiful.
Posted by Grego Applegate Edwards at 7:55 AM
Labels: classical era theme and variation masterworks for piano solo, leslie tung theme and variations mozart beethoven haydn gapplegate classical-modern review, modern performance practice today
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