Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, July 29, 2019
SPARK, Common Sense Composers' Collective, Friction Quartet
The "Common Sense" in the collective name Common Sense Composers' Collective, according to erudite liner-note writer Richard Taruskin, is meant in the sense of Thomas Paine's rebellious group that asserted root values in a spirit of a regenerative movement forward. And Richard mentions most importantly Kant's related idea of a "shared faculty of judgement that allow[s] for intersubjective consensus." So the collective implicity or explicitly agrees on a way New Music should be.
Listening to the eight quartet works that comprise the program on this CD, one senses a kind of non-Systems oriented approach to the New Music work that one feels and hears on the pieces we hear. So these are in some sense more akin to the lineage of Bartok than Schoenberg, to simplify things for now. It is Modernity at the service of an aesthetic statement rather than, to simplify again, the opposite!
These works were originally intended for a series of premiers (during 2010) featuring two other quartets. SPARK has taken them over as "adoptive parents" as it were. They have made them definitive in the image they see fit to bring to them as they have learned them and imbibed in their spirit.
That is not to say that these works are somehow monolithic in style and intent. That they are not. There are repetitions at times without those phrases being doctrinaire Minimalistic. There are some "Jazz-Rock" elements at times as well. There are edgy corners of some of the works that touch upon High Modernism, and there are elements that might very loosely be dubbed in some combination of High Modernism and Neo-Classical in some very vague way, not obviously.
None of the works are ephemeral or superfluous to my ears. Every one is a statement that bears repeated hearings. That applies to Marc Mellits and his "V: Five" from his 3rd Quartet, Dan Becker and "Lockdown," John Halle and "Sphere(s)," Belinda Reynolds and "Open," Melissa Hui and "Map of Reality," Ed Harsh and "Trill," Carolyn Yarnell and "Monographs" and finally Randall Woolf and "No Luck, No Happiness."
The performances are top notch, the compositions are weighty and well worth pondering, enjoying, experiencing. Very recommended.
Posted by Grego Applegate Edwards at 2:21 PM
Labels: modernist chamber music of our present time, spark common sense composers' collective friction quartet gapplegate classical-modern review, string quartets in the present decade
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