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Showing posts with label ambiant modern electroacoustic and chamber works. Show all posts
Showing posts with label ambiant modern electroacoustic and chamber works. Show all posts

Friday, September 4, 2015

Steve Holtje, A Man Full of Days, Soundtrack, with Black Crystal F_ck Wolf and Peckinpah

What we have at hand today is the soundtrack of the film A Man Full of Days (MechaBenzaiten MB 15). It features primarily the music of Steve Holtje. In full disclosure I count Steve as a friend and associate, mostly though our ongoing dialog on the internet and in the course of his tenure managing ESP records. But that is a separate matter from his music, which I would not be posting on did I not find it very interesting and engaging.

The 15 compositions of Holtje are supplemented by two from Black Crystal F_ck Wolf, one by Bruce McKenzie (Peckinpah) and a brief 1930 orchestral work by Levko Revutsky and Vyacheslav Ovchinnikow. The additional pieces do not disrupt the mood of Holtje's music, but serve to enhance it.

Steve has a definite penchant for the atmospherically ambient. There are a number of electroacoustic movements that set a powerfully inner-directed mood and have nicely realized sound color-texture traits. There are solo piano works that add onto Satie's "Gymnopedies" in good ways; there are also pieces that utilize some aetherial organ sounds and one that includes a women's chorus.

Through it all we have some extraordinarily interesting modern/post-modern mood-tone poetry. Holtje proves to be an especially effective sound sculptor in these movement-works. I found myself increasingly gravitating towards the music as I listened more and more.

On the basis of this soundtrack album I do find Steve Holtje to be a composer to watch. This is a very nice introduction to his music and I certainly hope there will be more for us to appreciate in the years to come. He has an adventurous yet also a very engaging way.

Recommended listening!