Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, June 13, 2016
John Ireland, Music for String Orchestra, Orchestra of the Swan, David Curtis
His music in the eight pieces represented makes a case not for Ireland as the English Debussy or Ravel, but a composer in the impressionist-rhapsodic lineage of the Vaughan Williams of "A Lark Ascending" or Frederick Delius. The music presented here was originally written for solo piano, cello and piano, violin and piano and brass band. With the exception of the two middle movements of "A Downland Suite" all of these works were orchestrated by others, yet the lyrical effusiveness of the original music comes through readily and consistently.
The performances are respectable, as is the recording quality. Raphael Wallfisch sounds well on the solo cello parts.
I could imagine Boult or the like doing a state-of-the-art version of these works but since all but one short piece enjoy their world premiere recordings here in orchestral form, this is our sole option. Most certainly we get a vivid sound picture of the music in these David Curtis versions.
Modern period Anglophiles will find this album a good addition. The music will appeal to those who appreciate an impressionist coloration. They do not have the power to topple the existing hierarchy of "masterworks," but then what does? A most pleasant listen.
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