Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, June 6, 2016
University of St. Thomas Symphonic Wind Ensemble, Persistence, Matthew George
Suffice to say that this is in the tonal modern camp, that there is a great deal of latitude in the stylistic approaches represented, and that there is much to intrigue.
The three disks cover "December Dance," by Andrew Boysen, Jr., "Concertino for Wind Ensemble" by Ralph Hultgren, "How Very Close" by Dana Wilson with Carrie Henneman Shaw as solo vocalist, "Mata Hari, Three Symphonic Scenes for Concert Band" by Nigel Clarke, "Desi Jhalak" by Shamir Tandon, "Suite No. 4 for Band" by Victoriano Valencia Rincon, "Lights From the Yellow Star: Music of Sorrow and Love" by Boris Pigovat with Casy (Johnson) Barker as vocalist, "Duende, Four Preludes for Symphonic Wind Ensemble" by Luis Serrano Alarcon, "Oneiric Discourse, Concertante for Tenor Saxophone and Symphonic Wind Ensemble" by Jesus Santandreu, and finally "Dali" by Aldo Raphael Forte.
These are well-crafted, truly symphonic additions to the repertoire. There is much to appreciate for the wind band enthusiast and at the same time the set gives us a survey, an encapsulation of new music possibilities in the middle tonal realm. It is well done and consistently engaging. Thank you Matthew George!
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