Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, March 24, 2020
Michael Gordon, Anonymous Man, The Crossing, Donald Nally
It is a major work from a major composer in the so-called Minimalist camp, Michael Gordon. It is his a capella choral work Anonymous Man (Canteloupe Music CA21154). Michael wrote both the words and the music.. It is a personal reflection on home and homelessness, life and death, and being with and without. It has to do with living in his NYC neighborhood from the time it was a largely abandoned industrial zone through to its gentrification. It is about several homeless men who lived across from him there.
It has pulsating sections and others that gently overlap themselves within themselves. The mood is thoughtful. Time passes and backtracks. There is the inexorable, somehow.
The Crossing are the ideal group to make of this music something special. And they do. It is not music that is self-evident or predictable, even if you know Michael Gordon's music well. It is the opposite of banal, yet it expresses an experience of things filled with a sameness. It is filled with a ruminative facticity that perhaps fits perfectly the mood of current locked-down stasis within a jarring turn of things to pass.
The music haunts. It is not the expected. Bravo.
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