Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, August 31, 2020
Edward Smaldone, Once and Again
Two multi-movement vocal cycles grace the program and provide some key signposts to the musical direction. The declamatorily dramatic "Cantare di Amore" (2009) gives soprano Tony Arnold a chance to shine and gets memorable instrumental underpinning from harp and flute. The narrative flow of the five-part "Letters from Home" (2000/2007/2014) allows soprano Susan Narucki detailed expressive possibilities and gets very appealing instrumental underscoring for flute, clarinet and piano.
"Duke/Monk" (2011) pays tribute to two cornerstone Jazz brilliances with two very lively and expressive spaces for clarinet and piano. They melodically encompass a wide range of chromatic possibilities yet have a hovercraft steadiness around key centers that combine with a sort of soulful exuberance--which in turn works out and maintains a steady-state original expressivity.
The "Double Duo" (1987/2006) expands and extends a complex articulation of chromatic Modernist elevations for flute, clarinet, violin and cello--with eight minutes of complex and well weathered singularity..
The program ends with the chamber string orchestra work "Sinfonia." It is a delightfully thickened, ever varying multi-strand presentation of lasting interest and a great way to conclude.
To live with this music for a week or so is to increasingly open oneself to a series of musical dialogues that sound more and more articulate as one rehears, sound more and more right. Happily recommended.
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