We are treated to five absorbing works performed on marimba marvelously well. The "Concerto for Marimba and String Ensemble"(1969) brings Kuniko together with the Scottish Ensemble and it is thing of cogent beauty. It comes to us after three sparking works for solo marimba and so seems all the more revealing in its facticity and gives us pause before a solo farewell brings us to a complete circle.
If you need a high water mark it is in part felt in the third work, a triumphantly demanding piece de resistance, "Ripple for Marimba Solo" (1999). The overall music arc of building to heights and closing with dramatic space is beautifully spelled out with the sandwiching-framing of the concerto with the opening "Conversation" (1962), the following "Torso for Marimba" (1999) and the closing "Six Prelude Etudes" (2001).
And in the end, the Concerto has such a sonic fingerprint that you feel like you have been in a special musical place, that Miyoshi has given us such a vivid image of things that it stands out, and forms a nicely contrasting part of the program for that matter. And I can scarcely imagine a better performance for all of this. Kuniko shines as brightly as an all encompassing sun. And we are all the better for it.
It is music to dwell in, the more the better it sounds, the more you are inside of the music and its colors, its dazzle and its meditative sureness of purpose, its expressive depth and heights, the more it comes clear in the hands of Kuniko. It is in every way a triumph. Bravo.