All that of course has changed and we now have many worthy woman composers to appreciate in the contemporary world but also historically. As a welcome aspect of such things pianist Sarah Cahill has embarked on an ambitious multi-volume set of relevant piano works which are apparently available as a set but now also coming out on individual CDs as well. The project as a whole is entitled The Future is Female and the first installment I have been listening to and I consider here is entitled Volume 1: In Nature (FHR 131).
On this initial volume we are treated to some 16 compositions by women hailing back as early as the 18th century through to today. Ms. Cahill approaches each work with care and sympathy, and not some little amount of flair.
The list of composers is largely unknown or little known to me, but the works themselves bear intense scrutiny, opening up new worlds for those eager for more of such fare. The composers included bears presenting, to give you an idea of the persons involved and when they lived. So we have the music of Anna Bon (1739/40-after 1767), Fanny Mendelssohn-Hensel (1805-1847), Teresa Carreno (1853-1917), Lookadiya Kashperova (1872-1940), Fannie Charles Dillon (1891-1947), Vitezslava Kapralova (1915-1940), Agi Jambor (1909-1997), Evo Beglarian (1958- ), Deirdre Gribbin (1967- ), Mary D. Watkins (1939- ).
So all that as you give it some good listens stands out as well worth hearing and having. The music runs the gamut from early Classical through Modern and beyond. Very good music, very well performed. I thoroughly recommend it for those who find the idea interesting. It is all one could hope for and more besides.