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Wednesday, April 20, 2016
Spellweaving, Ancient Music from the Highlands of Scotland, Barnaby Brown, Clare Salaman, Bill Taylor
The results are eight of the tunes played with authentic verve by Brown (pipes and vocals), Clare Salaman (fiddles and hurdy-gurdy) and Bill Taylor (lyres and harp). All this on the new release Spellweaving (Delphian / University of Huddersfield DCD34171).
This indeed is an important release on a number of levels, filling gaps in our Early Music knowledge with examples that may reach back hundreds of years before their transcription. The second important aspect is that the music is wonderfully interesting, and not as one might expect given the piper music that is still active in the repertoire there. These do not sound typically "Scottish" the way we have come to hear it.
And finally Brown, Salaman and Taylor have seen fit to realize the music on the pipes, yes, but also as sung in the traditional mnemonic syllabification as practiced then, and/or played on an ancient vulture bone flute, the 26-string Highland clarsach harp, wire-strung and gut-strung lyres, the Hardanger fiddle, medieval fiddle, and the hurdy-gurdy.
So we hear the music as it might have been heard in earlier times in various settings. The performances are excellent, the sound very good and the program something extraordinarily revelatory.
Anyone who cherishes early music will encounter a rare and exciting look at the heretofore mostly lost oral tradition in the Highlands region. It brings us something of what we are missing from the strictly notated musical heritage, a "folk" tradition frozen in time, an unearthing of an archaeological find, musically speaking, that speaks volumes. I hope they give us another round of this music, at least, since they but scratch the surface of the full holdings of Chris Campbell's Instrumental Book 1797.
This is an outstanding CD, as entertaining as it is revelatory. I highly recommend it to you.