Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, February 24, 2017
Pehr Henrik Nordgren, Storm - Fear
The two concerted works, "Concerto No. 2 for piano, strings and percussion Op. 112" (2001) and "Concerto for piano left hand only and chamber orchestra, Op. 129" (2004) nicely showcase the dedicated interpretive poeticism of pianist Henri Sigfridsson and the Ostrobothnian Chamber Orchestra under Juha Kangas. The mutually rewarding relationship of the composer and the orchestra during his lifetime leaves us with performances that sound most definitive.
The "Song cycle to poems by Edith Sodergran for mezzo-soprano, strings and harp Op. 123" (2003) features the moving vocal performance of Monica Groop.
All three works have a somewhat dark demeanor, punctuated by glimpses of sunlight. Nordgren's sure hand and paramount mood-setting give us a strong wordless series of story lines (paralleled, of course in the song cycle with the poetry declamation) that contextualize the extended modernist palette in very personal ways.
This is not so much a music of virtuosity as that of character. All who bask in modernist tone painting will no doubt find this disk of high interest. Nordgren deserves remembrance and celebration, and we get the chance to do both in this highly attractive program.
Posted by Grego Applegate Edwards at 5:48 AM
Labels: finnish high modern orchestral music with soloists, later music of nordgren, nordgren storm - fear ostrobothnian chamber orchestra julia kangas gapplegate classical-modern review
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