From what I have heard thus far, Sergey Ivanovich Taneyev (1856-1915) and his String Quartets make up a body of work unsurpassed in pre-modern Russian chamber realms. Not until Shostakovich and his quartets would we have anything comparable. A while back I covered a volume of the Carpe Diem Quartet's version of the Taneyev cycle (type "Taneyev" in the search box above for that). Now I return with their Complete String Quartets 5 (Naxos 8.573671), which covers Quartet No 8 and, with the addition of James Buswell on viola, String Quintet No. 2.
This, I assume the final volume in the series, affirms both Taneyev's largely unheralded stature in the quartet literature and Carpe Diem's authoritative performances.
Quartet No. 8 is filled with marvelous contrapuntal inventions, sounding for all generalities as a sort of Russian Beethoven in the late romantic-pre-modern zone. Anyone who might appreciate previously unknown, extraordinarily crafted and spirited quartet-quintet gems will readily take to this volume 5 in particular and all five in general, from what I have heard of them.
Taneyev is but one, yet nevertheless an important one of the too little examined treasures of the Russian 20th century as a whole.
Recommended for chamber music fans and Russophiles!
Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, February 20, 2017
Sergei Ivanovich Taneyev, Complete String Quartets 5, Carpe Diem String Quartet
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