Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, August 19, 2019
Messiaen Meditations sur le Mystere de la Sainte Trinite, Tom Winpenny
It is a masterpiece of mystery in ways so imaginative that it virtually gives us a guide to the innovative Messiaen spiritual organ oeuvre--a summing up and a leaping forward all at once.
The nine sections all work together to create a magic that is Messiaen's alone. No other master before or for that matter since has captured so incredibly inventive a series of rovings and spiritual penetrations.
Tom Winpenny gives us the kind of dynamic thrust and absolute sonic command that makes of this work a structurally yet highly aesthetically hammer-beamed object where the supports are not just structurally needed (to extend a metaphor); they are an integral part of the luster of the finished work of art, essential to its nature and beauty at once.
What is memorable about this music is quite clearly within the performance-command of Tom Winpenny. I've heard performances that may equal this one, but none that in my opinion surpass this one. An iconic work, performed with true conviction and careful elation. A winner in every way. Highly recommended.
And with this music is a melodic-harmonic brilliance like you will look for in vain in other organ music. It is one of the works that makes it plain that Messiaen has a special brand of Modernism, of brilliance and clarity like no other before or after, yet too he is spiritual in ways nobody else approaches as well.
This is essential!
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