Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, August 24, 2016
Modes, Society of Composers, Inc., Volume 30
We hear some high modernism from Karen Keyhani on her chamber ensemble work "As Far as Possible," a lively oboe-cello-percussion trio entitled "Valence II" from Robert A. Baker, a solo flute sound poem "Princess Ka'iulani" by Nolan Stolz, a cycle for mezzo-soprano and string quartet "Five Love Songs" from Arthur Gottschalk, Benjamin D. Whiting's electroacoustic "Melodia sin Melodia," "A Mournful Cry" for solo guzheng by Yip Ho Kwen Austin, and a chamber sextet, "Acoustic Field," by Chin Ting Chan.
Time goes by quickly as each work has its say and moves on. It is a bellwether of how diverse new music can be these days, but also a vivid example of the talent and highly evolved craftsmanship that shows itself in such abundance in our times, nowhere more so than on this volume.
Anyone who seeks the new today will find plenty of works of interest here, well performed and happily contentful. Recommended.
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