Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, September 13, 2016
Per Norgard, Symphonies 2 & 6, Oslo Philharmonic, John Storgards
Symphony No. 2 (1970, rev. 1971) is a primary vehicle for Norgard's "infinity series," where high modernist concept meets a sort of naturalistic approach to change. It is one long processual unfolding and very effectively so. Indeed, a unison in the strings gradually gives way to a series of floating note cycles in the winds and then interacts with counter lines in the strings. Change feels like the evenemential patterns of clouds passing and morphing form on a moderately windy day. It is whatever you imagine it, of course, but it fascinates via its non-specific referentiality to itself and its ability to conjure images in the mind's eye.
Both of the symphonies are substantial, each "continents" in themselves, as the liners say.
Storgards and the Oslo musicians weave patterns that bring out the essence of the works. I am glad to have this recording and do hot hesitate to recommend it highly. Norgard is a symphonist for our times. The music speaks volumes.
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