Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, November 11, 2016
Prokofiev, Symphony No. 6, Sao Paulo Symphony Orchestra, Marin Alsop
Yet the Symphony No. 6 (1945-47), as we can hear beautifully performed by Marin Alsop and the Sao Paulo Symphony as Naxos 8.573518, is one of Prokofiev's most characteristic works, touchingly bitter-sweet, filled with that thematic brilliance of line that was so originally Prokofiev's, stirring, melancholy, agitated and in the end filled with a lyric somberness especially poignant.
In the hands of Alsop and Sao Paulo you hear it as a major work, complete, ravishing.
An added bonus is Prokofiev's "Waltz Suite," a marvelous collation of his ambiguous portrayal of waltz
situations in dramatic denouements from "Cinderella," "War and Peace" and "Lermontov." It is Prokofiev at his best and Allsop finds just the right balance between the beautiful and the grotesque.
So this is a very worthy volume--Prokofiev in sublimity and despair, Allsop encouraging her orchestral colleagues to give performances that rival the very best. Outstanding!
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