Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, November 22, 2016
Yuki Numata Resnick, For Ko
The combination of Bach solo and related modern works takes form here via a fine performance of Bach's "Violin Partita No. 1 in B Minor" interspersed with modern works by Caleb Burnhans ("Remembrance"), Clara Iannotta ("Dead Wasps in the Jam-Jar"), Matt Marks ("Trunket's Saraband"), and Andrew Greenwald ("Bouree").
The contemporary works play upon the physical-experiential presence of Bach's work against contrasting note and sound colors in abstractio to less radical transformations and even a short-story recitation interspersed with violin interjections related to Bach ("Trunket's Saraband").
Resnick's dedicated, resonant reading of Bach is quite beautiful. The contemporary sojourns and their varying degrees of distance from the Partita serve to situate the music both in the present and in the past.
It is a well-played and provocative resituating of Bach. A few plays will gradually draw you into an enchanted world that spans the centuries.
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