Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, December 21, 2016
Elizabeth Hilliard, Sea to the West
New works mostly from this century provide thoughtful ear fare, with two works apiece by Christopher Fox ("Sea to the West"  and "Magnification" [1978-80] and Grainne Mulvey ("Phonology Garden"  and "Eternity is Now" ) plus single opuses by Linda Buckley ("Numarimur" ), and David Bremner ("logic ballad #2: The guarded tourist makes the guide the test" ).
The only given is Elizabeth's flexibly alive voice and a sense of open presence. Every work is evocative of association of place or earth, presence and poetic memory, all taken in its widest sense.
Time seems to stand still in the suspended vocal world unveiled. This is introspective music that puts the listener in a ravishing but ultimately spare and rarified zone.
The composers and Elizabeth's wonderful voice make it all work. This is not contemporary fireworks to awe the soul so much as an intimate hour or so with poetic depth.
To the thinkers and musically sensitive beings out there, this is a captivating change of pace.
Posted by Grego Applegate Edwards at 5:45 AM
Labels: elizabeth hilliard sea to the west gapplegate classical-modern review, modern contemporary ambiant soundscapes for voice and electroacoustic enhancement, new sopranos in new music
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