Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, December 16, 2016
John Taverner, Missa Wellensis, Wells Cathedral Choir, Matthew Owens
We can hear some beautiful sacred choral music along these lines on the album Missa Wellensis (Signum Classics 442) featuring the Wells Cathedral Choir under Matthew Owens. Four of the works, including the title piece, enjoy world premiere recordings. All eleven mostly short works are given definitive, angelic treatment by the choir.
The homophonic influences of Orthodox chant and Organum are apparent throughout. As with much of Taverner's choral music the archaic and the contemporary form the basis for his sensitive brilliance. These are the late works (2010-13), written after a debilitating heart attack (2009) forced him into convalescence and ultimately a determination to boil down the music into a sacred essence. As the liners note, these last works proffer an austere music, indeed, but there is warmth and a penetrating sonic depth to it all in the end.
The "Missa Wellensis" and the "Preces and Responses" were specially commissioned for the Wells Cathedral and so have a pedigree that the choir readily makes present in their performances. But all of these works get detailed attention and sonic care.
Anyone seeking modern choral music with ancient roots, anyone interested in Taverner's last works or who do not know his music as a whole would do well to get this volume. It is in every way a celebration of the beauty and direct celestial inspiration of his final musical vision.
Posted by Grego Applegate Edwards at 5:48 AM
Labels: john taverner missa wellensis wells cathedral choir matthew owens gapplegate classical-modern review, old-in-the-new modern choral music of today, the last works of john taverner
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