Friday, April 22, 2016
Messiaen, L'Ascension, Tom Winpenny
So all of that can be readily heard and experienced in a new volume of early Messiaen organ works, L'Ascension (Naxos 8.573471). Tom Winpenny gives us a beautifully dramatic reading of the works in all their glory.
"L'Ascension" in the 1933-34 organ realization is the most famous of the works in the anthology, and justly so. We get two early works only discovered in the '90s, "Diptyque" (1928-1930?) and "Prelude" (1928-30?). They are solid additions showing more plainly perhaps his roots in the French School. But then we are also treated to "Le Banquet celeste" (1928) and "Apparition de l'Eglise eternelle" (1932), which like "L'Ascension" show deep originality.
There is everything going for this latest Winpenny Messiaen release. Anyone who wants to better understand Messiaen's place as one of the greatest modernists of all will find this volume illuminating, giving you the beginnings of his special journey into his own mystically Catholic world and the exceptional ways he expressed that way of being. And as an example of the French School at large, the connexions are clear. But most of all this is very moving music, very well played.